The Living Daylights (1987) Reviews

James Bond is assigned to protect a defecting Soviet general and uncovers an arms-for-opium plot involving the Russians and an Afghan resistance group.

Director John Glen's 1987 film marks Timothy Dalton's debut as Bond, bringing a refreshing and dynamic intensity to the role. Dalton's performance as Bond is nothing short of exceptional. He brings a new depth to the character, blending charm with gritty realism from Ian Fleming's short story. Dalton's Bond is more human and emotionally complex, which adds a significant layer of intrigue. This film not only revitalizes the character but also sets a new standard for the franchise. The electronic rhythm tracks overdubbed with the orchestral music by John Barry may not be his best score, but it adequately complements the memorable action set-ups and onscreen shenanigans.

Even though the third act is a little wobbly with some pacing issues, Richard Maibaum and Michael G. Wilson's solid screenplay, weaving through various exotic locations from Bratislava to Afghanistan, keeps viewers (not just Bond fans) thoroughly engaged (something that would be repeated in License to Kill). It has some standout moments, including the opening in Gibraltar, a handful of assassinations (and faked and failed attempts), and Aston Martin chase/cello case sled through the snow near the Austrian border.

The plot is sold by a stellar supporting cast, including Maryam d'Abo as the captivating Kara Milovy, Jeroen Krabbé as the duplicitous General Koskov, and Joe Don Baker as the unscrupulous Brad Whitaker (who would later go on to appear in GoldenEye as a different character). Each actor delivers a strong performance. Milovy also fits the stereotype of the blonde Bond girl. Caroline Bliss's replaces Lois Maxwell as Miss Moneypenny,  John Rhys-Davies also shows up as General Leonid Pushkin, and Walter Gotell cameos as Gogol. 007's regulars, including Desmond Llewelyn's Q, Robert Brown's M, and Geoffrey Keen, also star.

The Living Daylights also provides an interesting historical perspective, not just on drug smuggling (again something that would be center stage in the next outing), but similar to Rambo III, it showcases the geopolitical tensions of the time, particularly the Soviet-Afghan conflict. The film's depiction adds a layer of realism, contemporary relevance, and irony that resonates even today.

Overall, Glen's The Living Daylights is a serious entry in the Bond series, elevated by its plot and great performances.