Also known as The Haunting of Julia, this British-Canadian chiller is a slow-burn ghost story that places atmosphere and performance above spectacle. Directed by Richard Loncraine and adapted from Peter Straub's novel Julia, the film is grounded in its approach, favouring psychological unease over conventional shocks.
It's grounded, atmospheric, and subtle - whereas Alice, Sweet Alice (1976), Messiah of Evil (1974) The Sentinel (1977) of the time leaned into stronger stylistic flourishes, shocking imagery, or surrealism. This is 70s’ loose ends and ambiguity at its best.
Mia Farrow gives an excellent, layered performance as a grieving mother whose life begins to unravel in the wake of tragedy. Farrow's vulnerability and restraint anchor the story, while the supporting cast of British actors-including Keir Dullea and Tom Conti-add weight and subtlety. Their naturalistic performances help sustain the film's grounded tone. EastEnders' Anna Wing appears a Mrs Flood.
What stands out most is the atmosphere. Geoffrey Burgon's score and Peter Hannan's cinematography build a sense of quiet dread, using London's settings to haunting effect. There are moments of unsettling imagery, but this isn't a film of jump scares or gore; it's one of mood, suggestion, and the uncanny.
Full Circle may be understated, but that's its strength. It's a thoughtful, melancholic ghost story where the unease lingers long after the credits. Farrow's work here deserves to be remembered alongside her performance in Rosemary's Baby, cementing her as one of the era's most compelling horror leads.
No comments:
Post a Comment