Friday, 5 February 2016
Friday, 15 January 2016
*** These comments may contain spoilers ***
Thought to be a burden an injured man, Huge Glass, is left for dead. After his son is murderer he then begins a journey of recovery and revenge.
Set in 1823, like the comparable Outlaw of Josey Wales, the characters feel real and are motivated, they all have shades of grey. However, director Alejandro G. Iñárritu excels the aforementioned in scope thanks to Emmanuel Lubezki's cinematography, natural lighting and advancements in film making. The Revenant is beautifully shot and really captures the cold outdoors authentically. It's realistic, harsh and uncompromising, showing the best and the worst of man. It captures the bitter coldness that survival films, the likes of Alive, The Edge and Deadly Pursuit a.k.a Shoot to Kill only touched on. The relentless breathtaking bear attack is as intense as Leonardo DiCaprio's committed performance as he fights to survive and avenge his son's death.
Tom Hardy as John Fitzgerald cements the absorbing drama, his character like the natives and French offer cold, punishing brute force from each others perspectives in contrast to the silence and beauty of nature. Thanks to the excellent performances, props, costumes and locations it's easy to buy into the story.
The Revenant is a tour de force ultimate endurance tale and has heart and soul. The sober moments and relationship scenes with the indigenous characters are interesting, the history feels well researched. Gleeson as with Star Wars Force Awakens is average but engaging, DiCaprio and Hardy are outstanding along with the supporting cast. Will Poulter's involvement is particularly notable.
It's very serious and justly void of humour, but has irony woven throughout. From a horse falling from cliff, to wolves attacking bison, eating raw meat, avalanches and waterfalls, log cabins, outposts and tepees. It's a great frontier revenge survival thriller with multi layers. Recommend.
Tuesday, 5 January 2016
Sunday, 20 December 2015
A blizzard forces a group of four to take shelter at Minnie's Haberdashery where they encounter four more strangers. With betrayal and deception, the eight strangers realise they may not make it to destination, Red Rock, after all.
The Hateful Eight offers impeccable framing, mountain landscapes, opening with a snow covered statue of Jesus. This film is all about justice and executions. The film is broken up with synonymous Quentin Tarantino chapter title cards. With Outlaw Josey Wales and Spaghetti Western coolness mixed with Tarantino seemingly nonchalant, yet, diligent story telling The Hateful Eight partly plays out like a heavyweight Cluedo mystery. Escaping an impeding blizzard menacing Russell known as the Hangman and bounty hunter outlaw Samuel Jackson ooze charisma and the whole cast clearly enjoy the wordplay. With its few locations (Reminiscent of Reservoir Dogs), as the group are isolated at a stagecoach passover (incidentally including Dogs' actor Tim Roth) it's mostly reliant on the actors talents and script. There's notably interesting flashbacks and a midway 4th wall voice over which brakes the confinement of the film up. Thankfully, the planets are aligned and all the elements like a jigsaw puzzle fit together in Tarantino's favour.
Ennio Morricone score is perfect, but Tarantino also slips in a track and later a song performance (by an almost unrecognisable excellent Jennifer Jason Leigh) which surprisingly work considering its a winter set Western. There's a fanboy moment in a snowstorm where they stake guide rods and Ennio's score pulses harking back to the remote beats and paranoia of The Thing. It has a small cast ensemble. As the opening credits run anyone with an appreciation of film will have a inclination it's a Tarantino film simply by its tight casting, from classic to cult actors. Many he has already worked with and some he's prompted a deserving career revival. Samuel L. Jackson is outstanding with his Sherlock-like prowess. Walton Goggins is particularly notable. The supporting cast are great and include the likes of Zoe Bell, (surprisingly seriously good) Channing Tatum, Michael Madsen (also of Reservoir Dogs) to name a few.
It's a fine production, packed with seemingly period authenticity, excellent costumes, props, right down to the mutton chops and facial hair. There's plenty of historical social commentary, modern mirroring subtext and choice language that intentional or not will no doubt cause ears to prick up as the array of characters interact. Cinematographer Robert Richardson, who has worked with Tarantino on various film along with the naturalist lighting and setting gives the proceedings visual weight.
Lincoln letters, horse carriages, shootouts, it's gritty, violent, hard hitting packed with punchy dialogue driven scenes. It's edgy, naturalistic with poisoning, double crosses, twists and turns synonymous with Tarantino's back catalogue. There's also a memorable gross out scene with sick and blood, severed limbs courteous of make-up veteran Greg Nicotero. There's exploding heads and when the tension builds and shoot outs happen they have a brutal impact.
There are great character arcs and development but debatably Russell and Roth steal the show. It's undeniably talkie but with plot surprises, fine performances and sharp writing, if you like Tarantino's trademark style and Westerns in general it's doesn't get much better than this.
Saturday, 19 December 2015
*** WARNING: This review may contain Jawa spoilers ***
Friday, 11 December 2015
In a little English village called Deddington a pack of werewolves on holiday come face to face with their victim and hunter friend.
For a moment I’m going to hold back on yabbering about this latest werewolf film, I should also point out that the 3D version was sadly not available for us from Tirana Films/Great Dayne Entertainment/Boom & Spray Productions. More important than director’s Tony Jopia’s offering is the knowledge that the first scene has Hammer Horror star, Sinbad’s Margiana and James Bond’s Naomi, actress Caroline Munro. Here she cameos as a shopkeeper, arguably still edible to the older gentleman, surely any self respecting werewolf would be honoured to gobble her up. I digress, many of the same cast and crew of Cute Little Buggers, a low rent Gremlins, reteam armed with a Hammer's business model, like a multi-picture deal of Craig Fairbrass films for... Ba-dum ching - Crying Wolf! A Kermit the Frog YAY please.