Saturday, 18 February 2017
Tuesday, 14 February 2017
Monday, 13 February 2017
Friday, 3 February 2017
Humanity is on its last legs and Alice after being betrayed by Wesker has one last chance to end the Umbrella Corporation's plan of world domination.
With writer/director Paul W. S. Anderson again helming the chair, the alleged sixth and final chapter never manages to recreate the pace, horror hi-jinx or atmosphere of 2002's Resident Evil, yet, tonally The Final Chapter comes closer than any of the meandering stylised sequels.
Anderson (arguably wisely) sidesteps the teased epic fantasy war setting of its predecessor with this instalment set in the aftermath of Retribution. The full-blown war is dropped in favour to feature on a few remaining monsters and focus on the impending infected zombie horde. Anderson borrows George Romero's Dead Reckoning-like vehicle under Dr Isaac's (Iain Glen) control and Alice (Milla Jovovich) must get back to The Hive to release an antivirus and stop the outbreak with help from The Red Queen played notably by Milla/Anderson's very own daughter Ever.
The Final Chapter will appease fans who loved the action orientated sequels but it also goes some way satisfying those who enjoyed the first film. Anderson offers littered Event Horizon and the original Resident Evil's jump scares in the ominous moments. In amongst the edited (faster than the Bourne Identity series put together) imaginative action there's a little character development. Paul Haslinger's pumping synth score is fitting and enhances the action as well as the few and far between quieter moments.
While it's a pity actors Colin Salmon, Michelle Rodriguez and others couldn't return given the stories clone themed story line, Albert Wesker (Shawn Roberts) and Ali Larter's Claire Redfield return from previous entries. Both Roberts and Larter both look more at ease here in the mostly darkly lit well crafted sets.
With usual strong screen presence Jovovich is on fine form and the fights are fantastic if a little too frantically paced. Although some aged makeup is below par and the CGI is ropey at times Anderson offers a genuinely surprising twist which delivers a fitting close to the Alice character.
That said, the maker leaves enough room for another horror orientated follow up or overblown 3D actioner - hopefully the latter. Either way it ends the series on a high more rounded note.
Sunday, 18 December 2016
Monday, 21 November 2016
Thursday, 17 November 2016
Monday, 7 November 2016
A widowed fortune teller who decides to incorporate a Ouija board into her fake routine soon meets real evil when the board starts calling to her daughter, uncovering a horrific secret.
Director Mike Flanagan's 1967 setting gives it a different feel to many of its contemporary rivals. In its eerie effective first 40 minutes Ouija's cast shine, it's only in the special effects driven latter half the character build up which Flanagan and co skilfully created is unnecessarily thrown out. Elizabeth Reaser's Alice Zander who believes they've contacted her dead husband is sadly side lined in favour of digital spectacle. Child star actor now an adult Henry Thomas is particularly notable, his priest Hogan character with a past is played out well. Young actress Annalise Basso as Lina and even younger Lulu Wilson as Doris are memorable, the two sisters feel real enough.
With some help from The Newton Brothers' score the Ouija board scenes and planchette usage gives some chills as they talk to an entity who they think is their father. It becomes noticeably derivative in the last act, borrowing The Matrix's Neo's closed mouth effect, The Exorcist with possessions and the Exorcist III where Doris skitters across ceilings to name a few, there's enough jump scares and creepy faces to retain interest with its World War Two connection twist. The stretched face look is over used and to Wilson's credit her performance can be spooky enough without it. The dark shadows darting in the corn of the eye are particularly well executed and more effective than the big stunt set ups.
As a prequel to the 2014 film Ouija it arguably surpasses its predecessor, but in a sea of horrors it's another addition that simply can't compete with the classics or more recently The Conjuring films and Exorcist TV series, but Flanagan and writer Jeff Howard thanks to the good small cast ensemble have a solid stab at it.
Monday, 31 October 2016
Saturday, 29 October 2016
From the press release:
In 1878 a mining community came to terms with the existence of a terrifying horror.
Over 130 years later a troubled London police officer, Alex Caine, is transferred to the sleepy village of Red Meadows. Her country life and the investments to rejuvenate the valley are put in jeopardy when a World War II bomb is unearthed triggering a chain of disturbing events.
A series of grisly mutilations follow but what is causing this mayhem, a wild animal or a serial killer hell-bent on destruction? With limited resource, battling local politics and with help from an unlikely ally, legends from the Garloupmira to Sasquatch are probed. Caine’s well-being, sanity and beliefs are tested as she desperately strives to solve her case.
As the moon rises the curse begins!
By A. M. Esmonde
An AM to PM Publishing Book
Publication Date October 31st 2016
Paperback ISBN 1508567700
e-book ASIN B01MDSP46K
Ask in your favourite bookstore or order from Amazon
A. M. Esmonde, “A gothic mansion, hidden secrets, crypts, beasts and mysteries. With a never seen before creature that spawned legends. What is real and what is not in a seemingly perfect community? Present day set 'Darkest Moons', incorporates flashbacks throughout a Welsh village’s history packed with elusive characters. Darkest Moons will be available as an e-book, readers who want the traditional paperback will get the e-book free and can also enjoy the revelation connections to my all my other novels."
As with any first editions, if there are any niggling little errors please let me know and we'll get it correct for the second run. Thanks