Monday, 16 April 2018
• It is difficult to pin point when WWIII occurs, however, whatever destructive device was used left buildings standing. This leaves the remaining survivors (who have converged on a few remaining city's world wide) have whole buildings to live in to themselves. To benefit for this arrangement occupants seemingly have to adhere to the consistent surveillance/monitoring. It echoes Blade Runner and Aeon Flux in chapters, with hints of The Thing and Mad Max in others.
• Denton visits every continent.
• Given it is set post WIII the future appears quite habitable (excluding the wastelands and industrial areas). State Side while the rain beats down there are while plastic pavements/side walks and Neon lights have made a come back.
• It's a 'kitchen sink' book as it has so much in it. However, it's pulls off bringing the sci-fi elements, (not limited to) A.I, cloning, cryogenics and Robotics together with the historic chapters and the events that are touched on subtly which include the discovery of DNA, Lincoln's Gettysburg Address, Anastasia's disappearance, Spanish Conquistadors encounters, painter Michelangelo Merisi da Caravaggio's fate to name a few.
• Religion is outlawed and practised by underground sects. Notbaly the MJ and King sect.
Source: FanDom http://the-final-version.wikia.com/wiki/The_Final_Version_Wiki
Order your copy here: Amazon
Wednesday, 11 April 2018
Director Renny Harlin's delivers a B-movie premise that's good fun. Although the CGI shark effects are a bad as they were back on its 1999 release, the practical shark effects still hold up and are impressive even today.
There's plenty of shark action and the cast boasts both Stellan Skarsgård and Samuel L. Jackson in small pivotal roles. Leads Saffron Burrows and Thomas Jane play it perfectly straight and are solid enough. However, Donna & Wayne Powers and Duncan Kennedy's screenplay add comedy moments mostly in the guise of LL Cool J who is memorable as Sherman the cook 'Preacher', instead of it being totally serious throughout.
There's some good set-ups and surprise deaths, an ominous attack on partying teens, a shark smashing stretchers against windows, sharks casing through flooded shafts, a helicopter crash, think The Poseidon Adventure meets Jaws 3.
Although Deep Blue 2 followed - it's less squeal and more of remake, recycling some of the story setups and script only without the budget and tension. Stick with Harlin's original
Monday, 9 April 2018
Thursday, 5 April 2018
So in 2001 we didn't get actress Rohan Mitra, we got Angelina Jolie instead. After casting directors passed on Marvel's Hayley Atwell and Star War's Daisy Ridley for this reboot Alicia Vikander won the role. Director Roar Uthaug offers Tomb Raider a Lara Croft origin story, she's younger with distracting, gasps, grunts, pants and yelps at every stunt. Here Uthaug presents Lara honing her skills, missing jumps here, getting beaten there. It's Lara the student not the gun-toting archaeologist yet.
Uthaug offers sweeping camera work throughout, London, oceans, waterfalls and jungles, it's an extravagant production, the locations ooze atmosphere and the effects are not too distracting. Writers Geneva Robertson-Dworet and Alastair Siddons' dialogue at times is derivative, but thankfully the solid acting glosses over it. Satisfyingly the tone is less comic-like, that said, it lacks any setups to write home about, there's a circumstantial shipwreck and an exciting escape from a dilapidated plane that has long since crashed, both of which are visually impressive but could be in any other film. There's nothing in terms of setups which equal or surpass anything in the previous two Tomb Raider films or the original Eidos Interactive game.
To Vikander's credit she does a credible job and equals actor Dominic West and his deep tones as her dad, Richard Croft. Actor Daniel Wu, Lara's side kick is notable and Predators actor Walton Goggins offers some seriousness and weight, delivering a the perfect 80s thriller intense bad guy in a good way.
There's machine-gun shoot outs, bow and arrow pulling, chases, Indiana Jones-like shenanigans and every tragic father daughter cliche you can think of complete with a post title scene setting up a sequel with more Lara-like trademark weapons.
Overall, it's not bad but not great either, pretty forgettable but at least there's not a nanotechnology McGuffin in sight.
Tuesday, 3 April 2018
With the fashion, music, hairdos and a Rambo III poster on display you'd swear director John Paragon's Double Trouble was made in the eighties (even though it was 1992). The cast feature plenty of familiar acting faces, surprisingly this B film has some good talent on display. This forgotten film features David Carrdine, James Doohan, Roddy McDowell and those two muscle bound twins from the Conan wannabe film Barbarians (1987), I kid you not. McDowell has lot of fun shooting people and Doohan gets to Scotty rant while the twins get to wink at fine women, fight and shoot a lot. It's all as outlandish and retro un-PC as it sounds.
The plot is too thin to mention, my first paragraph sums it up. To the twins David and Peter Paul's credit they are great fun throughout and thanks to some writing flukes including Jessie Venture impressions, sibling rivalry along with Paragon's clumsy setups and reverse fridge logic it's more enjoyable than it should be.
If you love the 1980s cheese, this 90s film is a great example, think a second rate Twins mixed with Stop or My Mum will Shoot and Skyscraper. Let your mullet and crop top do the thinking, you should enjoy.
Sunday, 25 March 2018
Wednesday, 21 March 2018
Thursday, 8 March 2018
Director Taika Waititi offers more fun than the overlong, padded majority of Marvel films than it should, Thor Ragnarok has plenty of humour (maybe a little too much). From the special effects to costume design and colourful characters including actors Chris Hemsworth, whose Thor goes through a few changes certainly looks wise right up until the end. There's a welcomed on form return of Idris Elba, Tom Hiddleston's sly Loki, Mark Ruffalo, who gets plenty to do with his dazed Banner and there's more Hulk action, with Anthony Hopkins' nonchalant Odin and Benedict Cumberbatch's Doctor Strange who both cameo.
New comers to the series evil Cate Blanchett, who is not just a 'end level baddie', Jeff Goldblum as the Grandmaster and Karl Urban give more than the stereotype unsavoury characters, there's also a few twists and turns. Tessa Thompson is also noteworthy and excellent Clancy Brown voices Surtur. Waititi also voices the memorable Korg.
There's the obligatory end credit scene, here two of them. Interestingly where as the Led Zeppelin "Immigrant Song" is overused Mark Mothersbaugh's music and the score is fitting to the 80s vibe throughout, sadly Magic Sword's epic tune "In The Face of Evil" appears to be omitted from the feature, only appearing in the trailer. Still Mothersbaugh's music has a similar feel.
Overall, Ragnarok's strength lay in its entertainment value, thanks to some relaxed writing, likeable characters and story beats. Highly recommended.
Five contract workers have taken on the task of tracking a huge old sanatorium for hazardous waste before demolishing. However things go bump in the night as the enormous building has much darker secrets and possible paranormal activity.
Like with the recent Spanish horror revival director Pål Øie does the same for Norwegian filmmaking offering a well-made filmactic feel is which sells the plausibility, thanks to the acting and large creepy location, the music adds tension.
As the characters are picked off one by one the premise is interesting even though the story beats, shadows in the dim corridors, figures on camera, jump scares etc. are what we've seen before Pål Øie's execution and serious tone makes it worth watching the scares play out. There's a few bodies, blood, gore, twists and turns, doctors and WWII elements.
Overall, better than the abundance of bad acted English language slasher and horror films doing the rounds at the moment. Recommend.