Set before John Wick 4 Ballerina slots confidently into the John Wick world, delivering a visually striking, atmospherically rich action thriller. It may not break new ground narratively, but it delivers brutal, balletic action and seamless integration into the established mythology.
Ana de Armas impresses both physically and emotionally, handling intense stunt work with conviction. She crafts a character distinct from Wick while honouring the franchise's style.
Franchise regulars return effectively: Anjelica Huston's Director, Ian McShane's Winston, and the late Lance Reddick's Charon (handled with care). Both Norman Reedus and Gabriel Byrne are welcome new additions, their grizzled presences fitting naturally into this world. Keanu Reeves also appears briefly in subtle, non-intrusive cameos as John Wick, a nod that enhances the film's connection without overshadowing the new lead.
The film looks superb. Romain Lacourbas' cinematography bathes scenes in moody blues, ambers, and deep shadows, echoing Parabellum while giving Ballerina its own visual identity. Despite behind-the-scenes changes and additional photography overseen by Chad Stahelski following poor test screenings, Len Wiseman directs with clarity, staging tight, inventive action sequences.
Tyler Bates and Joel J. Richard's score complements the visuals, weaving industrial synth and mournful cues that nod to the series' established soundscape.
Overall, while Ballerina doesn't greatly expand the mythology, it's a satisfying revenge yarn and a well-produced chapter. A sequel led again by de Armas would be very welcome.
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