
Planet of the Apes (1968) is without a doubt a milestone in novel adaptations and science fiction. As a series they touched on social unrest, evolution and the possibilities of space and time travel.
Four sequels followed Franklin J. Schaffner apes: Beneath the Planet of the Apes (1970); Escape from the Planet of the Apes (1971); Conquest of the Planet of the Apes (1972); Battle for the Planet of the Apes (1973)followed apes quickly in secession and while the sequels were inciting the quality never did matched the original.

The TV series followed with Planet of the Apes (1974) and the animated Return to the Planet of the Apes(1975). The hastely speed in which they were made and released in amongst a toy spree (before the infamous Star Wars (1977) merchandising) is what probably lead to it's downfall, in a way they slaughted the cash-cow and golden goose within 6 years.


In 2001 Tim Burtons reimagining was released and ten years later Rise of the Planet of the Apes, an original origin film that pays homage to the original 1968 film was released.

Rise of the Planet of the Apes (2011)

Although it departs in many ways from the original films, it is a fantastic piece of entertainment in its own right. Rise of the Planet of The Apes mixes the right amount of character development with story, effects and performances capturing the imagination of a new generation.
Despite a good cast with great performances notably from John Lithgow and James Franco, it's the apes themselves and Andy Serkis coupled with some state of the art special effects that steal the show.
Amanda Silver and Rick Jaffa's writing keeps the action and emotion somewhat believable, that Franco handles particularly well. The contemporary setting of San Francisco gives the film a familiar believable feel and it is a good contrast to the dark caged scenes and sterile lab sets. Patrick Doyle's score compliments the action and stirs feelings during the poignant moments.
Rupert Wyatt's direction ensures there's enough surprises and action setups to give Rise momentum. Wyatt's handling of Caesar manages to demand attention throughout with a welcomed display of edginess, danger and intelligence. There's also an added odd eeriness due to the ape actions and glancing looks. In addition, the writers and Wyatt thoughtfully give enough nods to the original to humble fans and hints at possible sequels throughout to tease further interest.
Overall, Rise manages to be an emotional ride, successfully grounding the concept of the originals while eradicating Burton's 2001 missed opportunity. Caesar is home...

Franklin J. Schaffner is never given enough credit when it comes to the genuine sci-fi classic Planet of the Apes. The talking points are usually the twist ending, or the late great Charlton Heston and Roddy McDowall.

'Apes builds up nicely, there's a wonderful score, (groundbreaking for the time) by Jerry Goldsmith, creating eerie and ominous atmosphere with the first exciting ape reveal at about 30 minutes in.
The film is wonderfully directed and has a solicitous and thought proving screenplay by Michael Wilson & Rod Serling. That said source material was from Pierre Boulle's very wry, whimsical and thoughtful novel. Astoundingly Boulle is also author of The Bridge over the River Kwai.
The few visual effects are sufficient but the ape make up is

Planet of the Apes is an original science fiction must see.



On the flip side there's some choppy editing, an uneven story, the ape city and the sandy finale are emotionless and uninspiring. Slipped in is some unnecessary humour, usually supplied by Paul Giamatti (aptly named Limbo) and you never feel any danger or threat from the apes apart

The fist ten minutes and the last two are probably the most attention-grabbing of this version but with an estimated budget $100,000,000 there's no excuse for the travesty in between. Thankfully Rise of the Planet of th Apes (2011) put the series on track.
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