The near future 2089 Earths historical artifact's and ancient paintings prompt an expedition into space to find our makers but puts the crew of the Prometheus in grave danger when they land on LV-223 in 2093.
Veteran director Ridley Scott gives Prometheus its own unique look and rightly so as the action, suspense takes place on LV-223 not LV- 426 as in Alien(s). Without getting bogged down with Alien (2122A.D) comparisons, this is a science expedition not a mining vessel. This change in location allows Prometheus to sit as a stand alone film.
Questioning our origins in a reasonable intelligent way the story written by Jon Spaihts and Damon Lindelof is intriguing and makes this film stand above your average sci-fi. That said, Prometheus does raise more questions than it answers yet it's ambiguity is what makes this film special and allows set-ups for future instalments.
It's excellently cast and includes international actors Guy Pearce (who is sorely underused) Idris Elba as everyday man Janek and Logan Marshall-Green to name a few. Charlize Theron is astounding as Meredith Vickers, a hard nosed corporate mission director. Notably is Michael Fassbender as David who is every bit as interesting as Bishop and Ash with added a quirky 'fondness' for Peter O'Tool. Main protagonist Elizabeth Shaw played by Noomi Rapace is not your typical Ripley clone and carries much of the emotion for the film.
The effects are first rate, with the Space Jockeys, scenery, ships and Aliens wonderfully realised and rendered. Some of the effects are practical and look organic for the most part. The location and environment feels real and makes everything more palatable. A nod should go to Dariusz Wolski's cinematography and Pietro Scalia's editing.
Scott delivers a few standout creepy scenes some particularly gut turning, notably the arm breaking, infection and decontamination scenes- it captures some xenomorph magic.
Marc Streitenfeld's music score is an effective mixed bag although is a little over used. Both writers and Scott ensure to include a few character twists and wisely incorporate some elements from the Aliens series (in keeping with that world) whether it be a vehicle, a line or setup to possibly appease die-hard fans but for the most part it feels fresh.
The film took the Alien series in a direction I was not expecting. As a long-time fan of the Alien series, and with this new Prometheus course I can say I'm satisfied, it’s edge of your seat, gory-suspense - director Ridley Scott is on pretty good form.
Prometheus tackles themes of origin, mortality and biological warfare to name a few and although it feels a little rushed it's a grower just like the spores themselves.
If you have any burning Prometheus questions head here for answers.
Veteran director Ridley Scott gives Prometheus its own unique look and rightly so as the action, suspense takes place on LV-223 not LV- 426 as in Alien(s). Without getting bogged down with Alien (2122A.D) comparisons, this is a science expedition not a mining vessel. This change in location allows Prometheus to sit as a stand alone film.
Questioning our origins in a reasonable intelligent way the story written by Jon Spaihts and Damon Lindelof is intriguing and makes this film stand above your average sci-fi. That said, Prometheus does raise more questions than it answers yet it's ambiguity is what makes this film special and allows set-ups for future instalments.
It's excellently cast and includes international actors Guy Pearce (who is sorely underused) Idris Elba as everyday man Janek and Logan Marshall-Green to name a few. Charlize Theron is astounding as Meredith Vickers, a hard nosed corporate mission director. Notably is Michael Fassbender as David who is every bit as interesting as Bishop and Ash with added a quirky 'fondness' for Peter O'Tool. Main protagonist Elizabeth Shaw played by Noomi Rapace is not your typical Ripley clone and carries much of the emotion for the film.
The effects are first rate, with the Space Jockeys, scenery, ships and Aliens wonderfully realised and rendered. Some of the effects are practical and look organic for the most part. The location and environment feels real and makes everything more palatable. A nod should go to Dariusz Wolski's cinematography and Pietro Scalia's editing.
Scott delivers a few standout creepy scenes some particularly gut turning, notably the arm breaking, infection and decontamination scenes- it captures some xenomorph magic.
Marc Streitenfeld's music score is an effective mixed bag although is a little over used. Both writers and Scott ensure to include a few character twists and wisely incorporate some elements from the Aliens series (in keeping with that world) whether it be a vehicle, a line or setup to possibly appease die-hard fans but for the most part it feels fresh.
The film took the Alien series in a direction I was not expecting. As a long-time fan of the Alien series, and with this new Prometheus course I can say I'm satisfied, it’s edge of your seat, gory-suspense - director Ridley Scott is on pretty good form.
Prometheus tackles themes of origin, mortality and biological warfare to name a few and although it feels a little rushed it's a grower just like the spores themselves.
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