Wednesday 21 March 2018

Only God Forgives (2013) Review


In Thailand, a drug trafficker's icy mother sends him on a mission to avenge his older brother death.
Nicolas Winding Refn's Only God Forgives feels more like his Valhalla Rising (2009) rather than the more conventional and mainstream Drive (2011). The music is mesmerising, stirring the uneasiness of The Shinning (1980). It's atmospheric, stylish, quiet and yet ultra-violent, with the beats of an opera. It echoes elements of Diva (1981), Collateral (2004), Subway (1985) and David Lynch's dream-like quality to name a few. 

Ryan Gosling plays Julian Thompson, an American criminal who lives in Bangkok. Gosling smolders (with limited dialogue which appears to have become his trademark staple) Julian speaks less than 20 lines throughout the film. Kristin Scott Thomas shines as Crystal Thompson, Julian's mother, a merciless and terrifying mafia godmother, probably her most memorable role. The star though is Vithaya Pansringarm as the imposing Lt. Chang/The Angel of Vengeance.

Refn remains visually stylish thoughout with natural location shoot, he adds enough subtle narrative smarts and horrifying underworld characters to ground its beautifully filmed depravity.

The film's characters are non-people; reminiscent of Revolver (2005) the things they say to each other are non-conversations, the events of neon-drenched nightmare are like some piece of French cinema which purposely plays differently to mainstream good taste. It's slow, edgy and gripping as the extreme violence basic plot plays out.

Only God Forgives has some quirky casting and interesting visuals on the background of the seediest sides of Bangkok. If you like artsy, its dedicated to director Alejandro Jodorowsky which should give you an idea what to expect then this is for you.

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