Wednesday, 27 November 2024

The Dead Don't Hurt (2023) Review

 

Set against the turbulent backdrop of 1860s frontier America during the Civil War, love, survival, conflict, and revenge ensue as two pioneers fight to protect their lives and their bond.


Written, directed, and produced by Viggo Mortensen, the film is a poignant and grounded Western oozing atmosphere. Marcel Zyskind's cinematography is stunning, giving the film a classic, high-quality feel reminiscent of older Westerns. Mortensen takes a leaf from Clint Eastwood's actor turned director career trajectory, delivering a compelling Western, with character-driven story in a nostalgic old-fashioned yet refreshing style. As well as providing the music multi talented Mortensen's offering is enhanced by some meaningful visions, dreams, and flashbacks.


The cast is outstanding. The main characters are given depth, with rich backgrounds and motivations. Mortensen is subtle yet effective as Olsen, while Vicky Krieps shines as Vivienne Le Coudy, delivering a captivating performance. Solly McLeod as Weston Jeffries and Danny Huston as Rudolph Schiller are also noteworthy, with W. Earl Brown adding gravitas as barman Alan Kendall. Although Shane Graham screen time is limited as deputy Billy Crossley, he leaves an impression along with Garret Dillahunt, Luke Reilly and John Getz.


What sets the film apart is Peder Pedersen's editing, which interweaves two timelines in a nonlinear narrative, adding depth to the story. Mortensen's focus on framing the narrative at times from a Vivienne's perspective is a unique and fresh approach for the genre.


Overall, Mortensen masterfully hits all the story beats expected of a Western while bringing something new to the table.

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