Thursday, 20 March 2025

Blacula (1972) Review

 

In 1780, African Prince Mamuwalde seeks Count Dracula’s help in ending the slave trade, only to be cursed and entombed as the undead. Awakening in 1970s Los Angeles, he stalks the city in search of his lost love’s reincarnation, leaving a trail of blood in his wake.  


Directed by William Crain, Blackula blends gothic horror with 70s Blaxploitation energy, opening with a Hammer-style sequence in Dracula’s castle before shifting to the neon-lit streets of L.A. The film benefits from real locations, grounding its supernatural horror in an authentic urban setting. William Marshall elevates the material with his commanding presence, bringing both menace and tragic depth to Mamuwalde, making him one of the more unique and layered cinematic vampires.  


The supporting cast shines, with Thalmus Rasulala as Dr. Gordon Thomas, a no-nonsense investigator determined to stop the killings, and Vonetta McGee as Tina, Mamuwalde’s reincarnated love, adding emotional weight to the story. Denise Nicholas plays Michelle, Gordon’s girlfriend, providing strong support. Even Charles Macaulay makes an impression as Count Dracula in his brief but pivotal role. Look out for a cameo from Elisha Cook Jr. as the hook-handed morgue attendant, adding a touch of eerie character to the film.  


Though its dated effects and budget constraints are apparent, they add to its retro charm rather than detract from it. The funky 70s score, moody atmosphere, and stylish cinematography create a unique vibe that still resonates. While not as frightening as it was upon release, Blackula remains a genre favourite, blending horror and Blaxploitation with unforgettable style.

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