In 19th-century Europe, a young estate agent named Thomas is sent to a remote Transylvanian castle, only to discover its reclusive occupant, Count Orlok, has dark intentions—unleashing a plague-like curse that brings obsession, death, and dread back to his homeland.
Based on Nosferatu: A Symphony of Horror by Henrik Galeen and Dracula by Bram Stoker, Robert Eggers’ Nosferatu is a shadow-drenched, atmospheric remake that honours the 1922 classic while adding his visual flair. Louise Ford’s great editing interestingly adds to the transitions and story, even at times emulating Hammer Horror as well as the original film.
Though the Bram Stoker-inspired beats may feel overfamiliar and slow, it never loses sight of its source, offering a vivid interpretation with a sexual edge. The production values are high. From towering gothic castles, villages, and forests to fog-drenched streets and harbours, the film’s settings are gorgeously grim, courtesy of cinematographer Jarin Blaschke. With great effects and costume design, it has reverence, grit, and style.
An unrecognisable Bill Skarsgård with intense ‘Mad Monk’ Grigori Rasputin vibes brings an unsettling, near-feral energy as Count Orlok, while Willem Dafoe delivers a magnetic performance as Albin, laced with quirkiness. Lily-Rose Depp offers a tragic elegance, and Nicholas Hoult is solid as the tormented Thomas. Simon McBurney impresses as Knock, bringing a twitchy intensity, but it’s Ralph Ineson in a surprise turn who steals scenes with commanding presence as Dr. Wilhelm Sievers.
Overall, backed by an eerie, swelling score from Robin Carolan and strong performances, Nosferatu does what it says on the tin and is worth a watch.
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