
Romero never set out to become a Hollywood figure, yet, he has become one of the most defining, successful and imitated director/writer in recent times. Below are a collection of my comments on George A. Romero's zombie films, the Godfather of the undead. Sit back and I hope you enjoy.
NIGHT OF THE LIVING DEAD (1968)

George A. Romero has readily admitted that Herk Harvey's Carnival of Souls influenced in his making of Night Of The Living Dead (NOTLD). For me, they're both low budget, both filmed in black and white and both are chilling creepy in places.
Both went onto be get 'lost' but unlike Carnival of Souls, NOLD was haled by critics abroad, who saw it not just as another horror movie, but a film that reflects society. Romero has gone on to define a genre, a feat that very few have accomplished. Many films have been influenced and have imitated George's creation but few successfully.
A group of people hide from bloodthirsty zombies in a farmhouse...
NOLD is seeped in history and has become as intriguing as the chiller its self. There's really not too much to comment on that hasn't already been said before. The dead are played mindlessly well. Duane Jones is a fantastic lead actor and stands out, an actor ahead of his time but the others are less convincing. The stock music is bold, and the sound is an adequate mix but all these things with their faults add to the charm of this little horror classic.
NOLD is seeped in history and has become as intriguing as the chiller its self. There's really not too much to comment on that hasn't already been said before. The dead are played mindlessly well. Duane Jones is a fantastic lead actor and stands out, an actor ahead of his time but the others are less convincing. The stock music is bold, and the sound is an adequate mix but all these things with their faults add to the charm of this little horror classic.
It's dark, gloomy and entertaining but more importantly it was a turning point in horror history.
DAWN OF THE DEAD (1978)

This is possibly George A. Romero's most balanced and satisfying of all his zombie films. What it boils down to is film has dated. Even so, the script is very well written and the film oozes atmosphere, the emptiness, notably the basement, and airfield scenes.
Tom Savini provides some fantastic gore effects, many of which stand up effectively today. While it's gory, bloody, violent and disturbing, I would think today's film viewer has hardened up to it, but this is not fault of the film, it is an amazing product of it's time.
Many horror buffs think it's overrated, but it's more that just a straight horror, the character interaction, even down to the priest speech is understated. Should they have had a bigger budget and more time, maybe the faults I mentioned wouldn't have been made. However, made they were and Dawn of the Dead is still the finest zombie film to date, a must see.
DAY OF THE DEAD (1985)


DIARY OF THE DEAD (2007)

My gut feeling is that if this film were to have been filmed in the 'traditional' manner with some tweaks on the dialogue, it may well have been more satisfying as the characters journey is quiet interesting. The effects are also executed sleekly and the acting, bar a few dodgy moments, is above average for this type of horror.
It tries to be to clever for it's own good, all in all watchable zombie film but lacks Romero's secret magic formula.
Survival of the Dead (2009)

The ferry scene covers a lot of exposition ground and there's a flash back to diary. One jumpy scene stands out but the whole story feels like a forced rehash of 'For A Few Dollar More' or 'Last man Standing'with a few zombies thrown in. Every living character is borderline stereotype, there's no one to root for, the dead are not menacing and just set up to be killed (on occasion with poorly executed CGI).
The acting is a lot better than in Day, the script is not bad, however,there's a little too much humour in it for my liking but there are plenty of rotten zombies. The female characters are underdeveloped but the actresses do their best. Athena Karkanis rightly grabs some attention. Adam Swica's cinematography deserves a mention great Autumn-like backdrops and moonlit sky's. Romero's direction is fine as too is the editing, with plenty of cuts and gone is the shaky point of view of Diary.
It's a shame that George hasn't found that balanced zombie diet of Dawn's eerie, foreboding and empty feel...