Resident Evil, a media franchise... From comic books, novelizations, to video games and action figures. It was Developed by Capcom and created by Shinji Mikami, and the series is known in Japan as Biohazard. Between books and films, I thought I'd take sometime out to share my comments on the Resident Evil films.
Resident Evil (2002)

It's a surprisingly great Zombie film. Past Zombie flicks have contained a lot of bad acting with low budgets and story lines that weren't that great. Whle I can't draw comparisons of the adaptation into the film Paul Anderson does a great job of creating an empty eerie atmosphere.
While some of the CGI effects are an unnecessary distraction the make up and costume design is first-rate. There's an intelligent story and great script. The stunts are fantastic notably the dog attack and the supporting cast are great and the two strong female leads Milla Jovovich and Michelle Rodriguez are excellent. The music is hard hitting, foreboding which adds to the action and creepy moments.
A good chunk of flesh eating entertainment-a great update and revival of zombie movies which pays homage to George A.Romero.
Resident Evil: Apocalypse (2004)

Following a zombie outbreak, the Umbrella Corporation initiates a cover-up, unleashing the monstrous Nemesis.
Having enjoyed its predecessor, I was eager to see Paul W. S. Anderson return as writer. However, it's disappointing that he didn't direct the follow-up. Whether due to budget constraints or Alexander Witt's shortcomings, the result is a sequel that cashes in but lacks the finesse of the original.
Mike Epps provides some laughs, but his comic relief feels forced, while Iain Glen offers a solid turn as the sinister Dr. Isaacs. The stunt work is impressive, Milla Jovovich once again embodies Alice with conviction, and Oded Fehr delivers a strong performance. Yet, issues persist-the TV-like aesthetic dampens the experience, the zombies suffer from over-stylized blurry camerawork, and Sienna Guillory is let down by a poor script and an unflattering costume. The effects and score are inconsistent, at times effective but often distracting.
Despite its sci-fi action credentials, Apocalypse lacks the suspense, atmosphere, and sharp execution that made the original so compelling.
Resident Evil: Extinction (2007)

It was good to see zombies in a desert wasteland setting but the film has a cheap look to it in parts. Oded Fehr, Iain Glen and Mike Epps return, Ali Larter is a welcomed new addition as Claire, but the rest of the acting from the supporting cast isn't too wonderful.
Milla Jovovich (despite a dodgy hair-cut) once again is just what the doctor ordered as Alice who develops her 'powers' throughout. There are plenty of tussles, zombie action, killer birds and. it has some great ideas, themes and a surprise electrifying closing.
Under Russell Mulcahy direction it has it's moments. There is one stand out segment at a gas station, but again, like it's predecessor it lacks the pulsing, foreboding, suspense and mood created by Paul W.S. Anderson in the first Resident Evil.
Resident Evil: Afterlife (2010)
Alice is stripped of her T-virus enhancing powers continues on her journey to find survivors and lead them to Arcadia, however, with more zombies, T virus mutants and Umbrella Corporation personnel it's not going to be easy.
The intriguing set up of Resident Evil: Extinction (2007) for a clone orientated sequel is dolefully all wrapped up in the opening minutes of Afterlife. The originals Director/Writer Paul W.S. Anderson thankfully returns the reigns and puts the series on track, especially by making our heroine more human and like the character of Resident Evil (2002).
Milla is made for the role of Alice and looks partially in shape and focused in this action orientated continuation of the Capcom game adaptation, as too is Ali Larter as Claire Redfield, although she is underutilised.
Gamer fans will be pleased with appearance of game baddies and Chris Redfield played by Wentworth Miller. Boris Kodjoe is has a lot of screen presence, however, his and many of the other characters are not fleshed out or have enough dialogue nor time to make an impact. Afterlife lacks the depth and foreboding atmosphere of the first film but is more fun than Apocalypse and Extinction despite the hammy acting and overuse of slow-mo.
The Redfield bother sister relationship is left unexplored and there appears to be a lot of missed opportunities. That said, these threads may turn up in future squeals, however, you can't help feel a little short changed as the plot feels to just scratch the surface.
There's still a lot to like, zombies, guns, sword-play and explosions. Fantastic stunts, great sets, costumes, special effects and a pumping score. Sienna Gilroy's cameo sets it up for another tantalising sequel, however, every instalment in the series has done the same, let's just hope RE5 delivers in all departments.
Overall, Resident Evil: Afterlife is immense sci-fi fun, but alas chooses style over substance.
Alice finds herself trapped in a Umbrella Corporation testing facility and with the help of some old and new friends she must do battle with infected zombies and T-virus mutants in order to escape.
Milla Jovovich as usual looks exceedingly good as Alice, her makeup is perfect and she is in top physical form. Also in the opening she get to display her underrate acting as an everyday mother who dearly tries to escape an infected zombie attack. Gamer fans will be content with appearance of the game characters including Leon S. Kennedy and Ada Wong to name a few but as with Afterlife the characters are not fleshed out and it lacks the depth and foreboding atmosphere of Resident Evil.
The Redfields are nowhere to be seen and the biggest shame about Retribution is the missed opportunity to effectively utilise the characters from the first and second film. Colin Salmon and Oded Fehr are painfully wasted and they have very little screen time reducing them to nothing more than tantalising cameos which go nowhere. Michelle Rodriguez thankfully gets a little more to do, but again even with the original writer at the helm the scenes are underdeveloped.
The original's director/Writer Paul W.S. Anderson once again returns but sadly continues the style over substance approach, yeap and there's slow-motion and lots of it. While it looks great it's very derivative including Aliens (1986) missing young girl, cocoons and face hunger-esque robots. At one point director Anderson copies his own Alien homage from AVP and unapologetically puts it in this latest instalment.
The special effects, stunts and sets are marvellous, the music by tomandandy is exceptional but sadly these elements solely don't make a movie. Like its predecessor it's sci-fi fun, with some enticing ideas but alas it chooses the style over substance root leaving the viewer once again short changed.