As a supporter of the Classic Horror Campaign I've up dated this post. The beauty of black and white photography aside, today's black and white motion film is usually used as a nostalgic gimmick, with exceptions of the likes of Tim Burton's Ed Wood (1994). Apart from the obvious monster classics of the 30's and 40's there are countless black white (b/w) films regarded as 'classic'. Purists and b/w fans would probably have me locked up and flogged but I must admit I really do not think b/w necessary adds to the aesthetics of a film. I would argue that the feel and atmosphere can stir the same emotions in colour pallet. To sum it up in a sentence, we don't see life through our eyes in black and white.
Nevertheless, many great films were made in black and white and some of those were very influential horrors which I've commented on below. I hope you enjoy and possibly seek out if you not seen them already...
House on Haunted Hill (1959)
Allegedly rousing Alfred Hitchcock to make the horror film - Psycho (1960), and while the setting is not as lavish as The Haunting (1963) the House on Haunted Hill is an entertaining 50's movie.
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Should the house itself has been more traditionally githic this may have been a near on perfect black and white chiller. Still, it's good fun and worth checking out on a quiet dark night if even just to hear Price's deep tones.

The Haunting (1963/I)

Nelson Gidding screenplay is based on novel "The Haunting of Hill House" by Shirley Jackson. The Haunting is an archetype haunted mansion film, superbly directed by Robert Wise. Excellent, painstakingly designed sets, amazing use of sound effects bringing to life the things that go bump in the night, which all add to the eerie and spooky atmosphere.


It's exceedingly atmospheric, foreboding, creepy and while the scares and terror are not as frightening to today's audience, it remains a classic, psychological, genuine and suspenseful horror.

Night of the Living Dead (1968)

Both went onto be get 'lost' but unlike Carnival of Souls, NOTLD was haled by critics abroad, who saw it not just as another horror movie, but a film that reflects society. Romero has gone on to define a genre, a feat that very few have accomplished. Many films have been influenced and have imitated George's creation but few successfully.
NOLD is seeped in history and has become as intriguing as the chiller its self. There's really not too much to comment on that hasn't already been said before. The dead are played mindlessly well. Duane Jones is a fantastic lead actor and stands out, an actor ahead of his time but the others are less convincing.
The stock music is bold, and the sound is an adequate mix but all these things with their faults add to the charm of this little horror classic.
It's dark, gloomy and entertaining but more importantly it was a turning point in horror history.

Carnival of Souls (1962)

It's dark, gloomy and entertaining but more importantly it was a turning point in horror history.

Carnival of Souls (1962)

The delightful Candace Hilligoss is perfectly cast as the troubled woman that after surviving a traumatic car accident, that kills her two friends, becomes haunted by a frightening ghoul and drawn to a mysterious abandoned carnival. It's a shame that Hilligoss only acted in two features as she gives an impressive performance as Mary Henry.

The music is very creepy and a little too intrusive in places, however, for it's time and budget it is a well crafted film. Carnival of Souls many not be as sleek and stylish as the Haunting (1963) but it is far more eerie. The zombies are not as imposing as in Night of the Living Dead, however, they are vastly creepier and macabre.


The tag-line read 'By night they leave their graves, crawling, shambling, through empty streets, whimpering, pleading, begging for his blood' if that doesn't grab you as a horror fan, nothing will. Remade many times since as The Omega Man (1971), I am Legend (2007) to name a few, Richard Matheson novel I am Legend has been a wealthy piece of source material.

While not a faithful version of the novel it is well crafted by Ubaldo Ragona, who incidentally only directed a handful of films. Ragona's work clearly influenced Romero's set up of the horror classic Night of the living Dead (1968).


What this unsung black and white chiller gem demonstrates best is that The Last Man on Earth shows what a fascinating and captivating actor Vincent Price was.
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